100% Original Wholesale Sirui 50mm T2.9 1.33x Anamorphic, Sirui 24mm f/2.8 1.33x Anamorphic
Here’s a comparison table between the Sirui 50mm T2.9 1.33x Anamorphic and the Sirui 24mm f/2.8 1.33x Anamorphic lenses:
Feature | Sirui 50mm T2.9 1.33x Anamorphic | Sirui 24mm f/2.8 1.33x Anamorphic |
---|---|---|
Focal Length | 50mm (Standard) | 24mm (Wide Angle) |
Aperture | T2.9 (Maximum) | f/2.8 (Maximum) |
Aperture Blades | Not Specified | Not Specified |
Lens Construction | Not Specified | Not Specified |
Minimum Focus Distance | 0.85m (2.79ft) | 0.3m (0.98ft) |
Filter Thread Size | 67mm | 67mm |
Weight | 790g (1.74lbs) | 660g (1.46lbs) |
Dimensions | 80mm x 140mm (3.15in x 5.51in) | 80mm x 120mm (3.15in x 4.72in) |
Mount Options | Sony E, Canon EF-M, MFT, Fuji X | Sony E, Canon EF-M, MFT, Fuji X |
Autofocus | No | No |
Manual Focus Only | Yes | Yes |
Image Stabilization | No | No |
Best Use Cases | Cinematic Portraits, Anamorphic Filmmaking | Wide Shots, Anamorphic Filmmaking |
Build Quality | All-Metal Construction | All-Metal Construction |
Unique Features | 1.33x Anamorphic, Cinematic Look | 1.33x Anamorphic, Wide Cinematic Shots |
Price (Approx.) | 699−799 | 649−749 |
- Focal Length: The 50mm is a standard lens, ideal for cinematic portraits and tighter compositions, while the 24mm is a wide-angle lens, better suited for wide shots and expansive scenes.
- Aperture: The 50mm has a T2.9 aperture, optimized for video with consistent light transmission, while the 24mm has an f/2.8 aperture, which is slightly slower but still excellent for low-light conditions.
- Minimum Focus Distance: The 24mm allows closer focusing (0.3m) compared to the 50mm (0.85m), making it more versatile for close-up shots.
- Weight and Size: The 24mm is slightly lighter and more compact, making it easier to handle for handheld shooting.
- Unique Features: Both lenses feature a 1.33x anamorphic squeeze, delivering a cinematic widescreen look with characteristic oval bokeh and horizontal lens flares.
- Price: The 50mm is slightly more expensive due to its standard focal length and T-stop rating, which is more common in professional video work.
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